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Millions of people have already watched 'Stranger Things,' and it's one of Netflix's biggest hits

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Stanger Things / Netflix
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Netflix's new show "Stranger Things" is a hit, having charmed critics, viewers, and Wall Street analysts alike.

But since Netflix notoriously doesn't release ratings data, it's hard to know just how big of a hit it is. Thankfully we have an estimate from a startup called SymphonyAM, which tracks Netflix ratings and has been cited by the likes of NBC.

SymphonyAM tells Business Insider that in the first 16 days, 8.2 million people watched "Stranger Things," which puts it ahead of all Netflix's recent releases except "Fuller House" and the new "Orange Is the New Black" season. It ranks before "Daredevil," "Jessica Jones," "House of Cards," and "Narcos."

If you haven't seen "Stranger Things," it's a supernatural sci-fi thriller that draws heavily from '80s movies and TV. It's a nostalgia play, done to perfection.

It currently has a 94% Rotten Tomatoes critic rating, a 96% audience rating, and it has sent the internet abuzz since it was released in mid-July. Analysts from Pacific Crest even take it as evidence that Netflix's system for producing shows is working the way it's supposed to.

But it almost didn't happen. In fact, co-creator Matt Duffer told Rolling Stone that "Stranger Things" had been rejected 15 to 20 times by different networks before Netflix.

Now it's one of Netflix's biggest hits.

Here is the full list of recent "live + 16" ratings from SymphonyAM:

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SymphonyAM

Note: Netflix in the past has disputed SymphonyAM's data, calling it inaccurate. For a full explanation of its methods, see our interview with the startup's CEO. 

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Nathan McAlone
Nathan is the media and advertising editor for Business Insider and was previously the entertainment editor, as well as an editor and reporter for the tech section.He runs BI's media business team, which primarily covers the creator economy and the business of social media, the evolution of streaming, and the future of advertising.He edits the  CMO Insider newsletter, which features exclusive reporting on marketing and the creator space.He has overseen several award-winning projects at BI.He coedited Jason Guerrasio's feature on the rise and fall of MoviePass, which won a New York Press Club Award and a National Arts & Entertainment Journalism Award from the Los Angeles Press Club.BI's reporting on MoviePass served as the basis for the HBO documentary "MoviePass MovieCrash." Nathan is interviewed in the documentary and was a consultant during production.He's worked on other stories that have won or been finalists for NAEJ Awards from the LA Press Club.They include:He mainly edits the work of reporters Lucia Moses, Lara O'Reilly, Dan Whateley, Sydney Bradley, and James Faris.Nathan graduated from Syracuse University's S.I. Newhouse School of Public Communications with a master's degree in journalism in 2015, and from Columbia University in 2011.