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Netflix now has better programming than HBO, according to new survey

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Netflix has kicked HBO out of the top spot for best original programming, according to an annual streaming video survey by Morgan Stanley.

On Monday, Morgan Stanley released the results of its sixth annual survey of the video streaming industry. And for the first time in the survey's history, Netflix moved into the number one spot among non-cable (“over-the-top”) services and premium networks (like HBO and Showtime).

The survey measured only original programming from non-cable and premium networks, not traditional TV networks or licensed programming. It included 2,501 adults from the U.S.

The percentage of the population that ranked Netflix’s original programming number one rose from 23% last year to 29% this year. HBO came in second at 18%, while Showtime, Hulu, and Amazon all hovered in the 4-5% range. Starz lagged at about 2%.

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Morgan Stanley

Netflix has been spending aggressively on original content in 2016, and Netflix executives have characterized it as the best investment for the company moving forward.  Netflix will release 600 hours of original content this year, including 31 original shows.

This strategy seems to be working to snag and retain subscribers. About 45% of Netflix members surveyed by Morgan Stanley cited originals as a driver of their subscriptions, up from 34% last year.

And research by AllFlicks, a site that tracks Netflix’s catalog, showed that Netflix's originals get better "star ratings" on average than other Netflix content (such as TV shows licensed from legacy networks). Netflix originals have an average rating of 3.87 stars (out of 5), higher than the 3.47 stars "other content" averages.

Originals are, however, expensive to produce. And the move deeper and deeper toward original content might be one reason why Netflix's US catalog has shrunk by 31.7% since the start of 2014.

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Nathan McAlone
Nathan is the media and advertising editor for Business Insider and was previously the entertainment editor, as well as an editor and reporter for the tech section.He runs BI's media business team, which primarily covers the creator economy and the business of social media, the evolution of streaming, and the future of advertising.He edits the  CMO Insider newsletter, which features exclusive reporting on marketing and the creator space.He has overseen several award-winning projects at BI.He coedited Jason Guerrasio's feature on the rise and fall of MoviePass, which won a New York Press Club Award and a National Arts & Entertainment Journalism Award from the Los Angeles Press Club.BI's reporting on MoviePass served as the basis for the HBO documentary "MoviePass MovieCrash." Nathan is interviewed in the documentary and was a consultant during production.He's worked on other stories that have won or been finalists for NAEJ Awards from the LA Press Club.They include:He mainly edits the work of reporters Lucia Moses, Lara O'Reilly, Dan Whateley, Sydney Bradley, and James Faris.Nathan graduated from Syracuse University's S.I. Newhouse School of Public Communications with a master's degree in journalism in 2015, and from Columbia University in 2011.