Entertainment

The 'Mr. and Mrs. Smith' reboot is nothing like the original movie — and that's what makes it must-watch television

donald glover and maya erskine in mr. and mrs. smith. glover is wearing an all white outfit splatterd with blood and grime. erskine is in a black outfit that's in disarray
Donald Glover and Maya Erskine in "Mr. and Mrs. Smith." David Lee/Prime Video
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If you were among the many who wondered why anyone would make a "Mr. and Mrs. Smith" reboot, this time without Brad Pitt and Angelina Jolie, when the project was announced in 2021, you'd be forgiven.

The new series is ostensibly based on the 2005 film, which is arguably most famous for the fact that it's how Pitt and Jolie first met. But "based" is a pretty loose concept here: Don't expect the same action setup, or even the same conceit, as the original film. Expect something much, much better.

"Mr. and Mrs. Smith," co-created by Donald Glover and Francesca Sloane (who previously worked with Glover on "Atlanta") remixes the film's premise. Instead of a married couple discovering they're rival spies, this show's John and Jane Smith are instead paired up by a mysterious company, legally married, and then sent on dangerous missions together that range from baked goods-based assassinations to ski-slope espionage.

maya erskine as jane in mr. and mrs. smith, standing in a kitchen and hoding a gun up. she's wearing a black ribbed sleeveless shirt
Maya Erskine as Jane in "Mr. and Mrs. Smith."  David Lee/Prime Video

Maya Erskine's Jane joins Glover's John Smith; the two meet awkwardly in their new home, getting to know each other as they trail a target across New York City on their first mission. But despite a promise to leave romance off the table, and split once they both feel they've made enough money, it's clear there's something simmering beneath the surface that's going to come to a head sooner or later.

This central relationship is the true hook of "Mr. and Mrs. Smith," a show that's more about cultivating intimacy and vulnerability than it is espionage. A rotating, star-studded cast of guest stars ranging from Sarah Paulson, to Michaela Coel, to Paul Dano sets a colorful backdrop for John and Jane's relationship to develop. We don't get much information about the missions that John and Jane go on, because the particulars don't really matter. Who cares why they have to protect the dubiously moral Toby (Ron Perlman, coincidentally Sloane's father-in-law) from assassination when the situation is much more valuable as a way to broach the couple's differing opinions on kids?

While a previous iteration of the series starred "Fleabag's" Phoebe Waller-Bridge alongside Glover, it's hard to imagine "Mr. and Mrs. Smith" without Erskine. Her muted sensibilities in the role may be a surprise to those who primarily know her from "PEN15," the Hulu comedy she co-created and stars in as a 13-year-old version of herself with a bowl cut. While Glover's John is instantly compelling, clad in impeccably stylish 70s-inspired outfits and radiating sincerity, Erskine's Jane is the show's anchor. She has a tougher time coming to terms with the intimacy of their relationship and how to square it with her own ambition, a tension that Erskine elucidates skillfully in her performance.

donald glover and maya erskine in mr. and mrs. smith, laying together in bed. glover is shirtless, pressing his nose into erskine's neck as she looks back at him
Donald Glover and Maya Erskine in "Mr. and Mrs. Smith."  David Lee/Prime Video

Despite its gorgeous costumes and setpieces (such as the couple's New York City home that would make any millennial weep), the show's visual identity isn't its strongest selling point. Rather, its smart dialogue, strong performances, and David Fleming's unnerving score are what establish its bizarre — and incredibly compelling — tone.

All eight episodes of "Mr. and Mrs. Smith" are streaming now on Prime Video.

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Palmer Haasch was an entertainment reporter at Business Insider and a film and television critic. Her work included reviews, comprehensive coverage of genre series like "House of the Dragon," and interviews with showrunners, actors, and filmmakers. She is a member of the Television Critics Association.Previously, she was a digital culture reporter at BI, covering TikTok and online culture. Before joining BI in 2020, she covered animation, television, and the internet for publications including Polygon, Thrillist, IGN, The Verge, and GLAAD. She has appeared on BBC Radio 4 Front RowNPR's All Things Considered, Recode Daily (previously Reset), NBCLX, NY1, and the British Film Institute's Woman With a Movie Camera summit to speak about TikTok, fandom, entertainment, and online culture. She graduated from the University of Minnesota with degrees in English and French Studies.